Indie Squid Kid

©DC Comics

This dramatic scene takes up pages 12 and 13 of Brightest Day #1. (The cover date is “Early July 2010,” but it actually came out a few weeks ago.) The size limitations of the blog don’t really do this splash page justice, but you should be able to tell that there is something not quite right about this monstrous squid, and I’m not talking about its unrealistic size. It appears to be dead, or, rather, undead. Now for some context…

Brightest Day is DC Comics’ follow-up and continuation of last year’s epic Blackest Night event. These stories spin out of the Green Lantern titles, but they pretty much span the entire DC Universe. I’m not going to try to summarize everything (if I even could), but, basically, the dead were brought back through the power of mysterious black rings. These vile Black Lanterns—superpowered zombies, essentially—wanted nothing less than the destruction of all life. Among there number was Aquaman, who had died in the pages of Aquaman: Sword of Atlantis #1 (the 2007 revamp of the title, which itself was the spawn of yet another big DCU event). Blackest Night ends not only with the defeat of the Black Lanterns, but with the resurrection of a select number of previously deceased characters, including Aquaman.

©DC Comics

This brings us to the Brightest Day mini-series and issue #1. Aquaman and his wife Mera are attempting to rescue a group of children from the clutches of pirates. Aquaman calls on a giant squid for assistance, but to his horror, the titanic animal that answers his summons is a rotting undead monster. In fact, all the sea life that Aquaman calls end up being zombies…which is exactly what happened back when he was a Black Lantern. So, what is wrong with the newly alive King of the Sea? Presumably this is one of the many mysteries that will be answered during the course of the series.

Brightest Day #1 is written by Geoff Johns and Peter J. Tomasi. No less than five different artists are credited, so I’m not sure if this page was penciled by Ivan Reis, Pat Gleason, Adrian Syaf, Scott Clark, or Joe Prado.

A few comments on the squid itself…Aquaman referes to it as a “giant squid,” but this leviathan is obviously no ordinary Architeuthis. Its arms are lined with hooks, not suckers, so maybe it’s actually supposed to be a Colossal Squid (Mesonychoteuthis) instead, but still…this thing is freaking huge! I think that “Kraken” is as close to an identification that we can make. It is only a comic book after all…

It’s been quite a while since I posted anything out of my own collection of cephalopodabila (yeah, I’m pretty sure I just invented a new word there), but that is not because I am out of stuff to post. Heavens no! While it’s true that my current state of unemployment has encouraged me to do a lot of “virtual collecting” recently, I still own plenty of awesome ceph-stuff that hasn’t made its way onto the blog yet.

For example…

This 500 piece jigsaw puzzle was produced by Iron Crown Enterprises in 1997 as part of their Middle-Earth Puzzles series. “The Way Is Shut” depicts a very octopus-like interpretation of the Watcher in the Water, Tolkien’s tentacled lake monster from The Fellowship of the Ring. (Well, it appears to have at least twelve arms, but but it still resembles an octopus more than anything.) This version of the Watcher is by artist Ted Nasmith and was originally produced for ICE’s Middle-Earth Collectible Card Game.

For a detailed examination of the Watcher in the Water, see this post from last year’s Movie Week.

At long last, Dr. John Zoidberg makes his debut appearance on Indie Squid Kid!

I don’t know the identity of the artist who did this, so I have to assume it was spontaneously generated by the Internet just to make me happy.

Thanks to my brother-in-law Alec for sending this my way!

R13: Colossus! #1 (Cover B, front)

The year is 1939, and a Spanish fishing boat has made a strange catch—a metal man whose glass-domed head contains a floating human skull. The only identifying mark on it is the numeral 13 carved into its forehead. No sooner has this mysterious mechanoid been hauled out on the deck than the ship is attacked by a one-eyed, tentacled monster from the deep. Their new accidental passenger grabs a harpoon (and, later, an anchor) and leaps to the crew’s defense. I won’t reveal how this epic battle ends, but I will remind you that this comics isn’t called “One-Eyed Squid Monster 13.”

Who is Robot 13? Where does he come from? He doesn’t know, but he plans to find out.

page 8

R13: Colossus! is the first publication of Blacklist Studios. It is written by Thomas Hall with art by Daniel Bradford (who also did cover version B. Check out more of his work on deviantART!). Issue #1 hit the comic shelves this summer, and it looks like issue #2 just came out.

Look for it at your local comic book shop or order from www.blackliststudios.com.

(Cover B, back)

Sighted by Chris Butler (via cult youth., via BuzzFeed)

Dragon*Con has been over for nearly a week, which is plenty of time for the Internet to help me find all (well, nearly) the cephalopod-themed costumes from this year’s menagerie of the weird. Enjoy.

photo by vladeb

Davy Jones ( Pirates of the Caribbean: Dead Man’s Chest) from the Dragon*Con parade.

photo by Hueyatl

Netherworld squid monster.

photo by sarberry

Ursula the Sea Witch from Disney’s The Little Mermaid.

photo by Clockwork_Dandy

The Fruity Oaty Bar commercial from Joss Whedon’s Serenity come to life!

photo by TheKingInYellow

MINDstyle’s “Stephen Le Podd” con exclusives.

photo by Sarcasm-hime

Cthulhu bustle!

photo by sudrin

Victorian cecaelia!

photo by Petrona09

It’s this guy! He’s back!

Like I said yesterday, Dragon*Con is this weekend, and I am rather bummed not to be in attendance this year. The con is more than just a science-fiction or comic book convention, it is a chaotic multi-media/multi-genre extravaganza celebrating every corner of geeky popular culture. Here is but a small tentacled taste of Dragon*Con from the past few years. All photos are from my Flickr account, unless otherwise noted.

Doctor Octopus (Dragon*Con 2008)

Stygian Depths booth (Dragon*Con 2008)

"Doctor Cthulhu" (Dragon*Con 2008)

Photo by Foenix

Cthulhu and Ichigo (Dragon*Con 2007)

Photo by Futuregirl_LeahRiley

"tentacle monster" (Dragon*Con 2005)

design by Alvaro Arteaga

Sometimes you just can’t win.

Sometimes you have to let the monsters eat your boat.

Buy it from Threadless (Currently sold out!)

Also, this reminds me of something…

Here is the contents of yesterday’s mystery package—a specimen of the seldom seen terrestrial cephalopod commonly known as the Tufted Cuddlestache. Natalie Metzger is the world’s leading expert on Cuddlestache biology and natural history, and the following account is from her website, The Fuzzy Slug (where you can also see one of the only known photographs of a Tufted Cuddlestache in the wild):

Extremely rare and elusive, the Tufted Cuddlestache is native to the dense temperate rain forests of the Pacific Northwest.  It was believed that they were hunted to extinction for their luxurious mustaches, which were used in the making of novelty stick-on mustaches and eyebrow replacements. However, while searching for Sasquatch in the remote backwoods of Washington state, field scientist, Dr. Crumpen Von Ludwig,  stumbled upon a small surviving population of the Tufted Cuddlestaches. Little was known about them as the last known living specimen died in 1910. He discovered that they were quite friendly and unafraid of man. Whether that was from isolation, or natural behavioral traits, studies so far have been inconclusive.  Since this great discovery, a  breeding program has been established by Washington State University in order to help restore wild population numbers and to gain valuable knowledge about the behavior and biology of these wonderful creatures. Currently, wild numbers are still very low (estimates are somewhere around 20 breeding pairs) and the Tufted Cuddlestache is listed as critical on the endangered species list.

In addition to being a reknowed cuddlestache-ologist, Natalie is also an artist, cartoonist, and photographer. She designed the Indie Squid Kid logo, and the famous “Bourbon Drinking Squid.”

As Movie Week draws to a close, it’s time to come full circle with another Disney movie. Pirates of the Caribbean: Dead Man’s Chest is the second installment of the trilogy based the popular theme park attraction. Even if you are not a fan, you have to admit that they’re pretty good for movies based on a 40 year old ride! Personally, I thought the first was thoroughly entertaining, the second was fun, but hard to follow, and the third made almost no sense at all. Dead Man’s Chest is the topic of today’s post because, of course, it features not one, but two cephalopod-based characters: Davy Jones, the film’s central villain, and the monstrous Kraken.

Davy Jones is an immortal mariner and captain of the infamous Flying Dutchman. He was originally tasked by the sea goddess Calypso to ferry souls of those who perish at sea to the afterlife. His subsequent betrayal of the goddess and dereliction of duty brought a curse upon him, transforming him into something resembling the Cthuloid spawn of an octopus and a lobster.  He has a roughly human face, but his entire head seems to be made up several octopi stacked on top of each other—their tentacles forming a writhing facsimile of the pirate’s original hair and beard. The index finger on his right hand has become a single winding tentacle. He has no nose but instead seems to breath through a siphon protruding from the side of his face.

Davy Jones is apparently the ruler of the ocean, and seems to spend most of his time attacking ships and forcing sailors to join his mutant aquarium crew. He locked his still beating heart away in a chest (the Dead Man’s Chest of the title), for reasons that are unclear but seem to be critically important to the movie’s plot. He commands the mighty Kraken (see below), which he sends to hunt down Captain Jack Sparrow (played by Johnny Depp, of course) who owes Jones his soul…or something like that.

Davy Jones was played by the fantastic Bill Nighy, and Industrial Light and Magic created his CGI “costume” via motion capture.

The Kraken, as you can see in this clip, is an enormous tentacled beast capable of not just sinking a ship, but literally ripping it apart. Davy Jones summons the beast to do his bidding using a device that sends out shock waves into the water. In this scene, we see it attack and destroy the Edinburgh Trader. Why does it do this? I think it has something do to with Will Turner (played by Orlando Bloom) and the key to the box that contains Davy Jone’s heart. Like I said, the story was kind of hard to follow.

Little of the Kraken’s body is seen in the movie, apart from it’s giant arms, two of which appear to be larger than the rest. This would be consistent with the monster being some type of squid, although these tentacles lack the characteristic club ends. At the end of Dead Man’s Chest, the Kraken has finally caught up with Captain Jack, and we get a clear view of the monster’s mouth. Instead of a beak, it has a circular maw with multiple rows of conical teeth. In this way, the Kraken resembles the Sarlacc from Return of the Jedi more than it does a giant squid. Like Davy Jones, the Kraken was entirely CGI, and ILM won the 2006 Acedemy Award for Best Visual Effects for their work on Dead Man’s Chest.

Not a squid.

Davy Jones and the Kraken return in Pirates of the Caribbean: At World’s End, the final part of the trilogy, although the Kraken only has a brief appearance. It seems Davy Jones’ new master (who has the box that contains his heart and therefore the power to kill Jones. I think?) has commanded ol’ squid face to kill his former pet. We do finally get a look at the body of the Kraken when Jack Sparrow finds its massive corpse washed up on a beach. (A scene that we are apparently supposed to find very poignant and symbolic.) It has a pair of enormous eyes and a long mantle with two rear stabilizing fins—all very squid-like. The book Pirates of the Caribbean: The Complete Visual Guide (Dorling Kindersley, 2007), states that the Kraken was 1400 feet long (the length of ten ships) and the accompanying illustration shows its body being at least twice as long as its arms, making the Kraken more like a cuttlefish than a squid.

We’re almost at the end of Movie Week! Tomorrow, for the final installment, I’ll take a look at the cephalopod movie hall of shame.