Max says, “An occasional hobby of mine is converting two-dimensional illustrations into 3D graphics. These can be seen using the traditional red/cyan glasses.”
The Octopus bar (aka, “The Kraken”) is definitely my favorite piece. Made in 2006, this 11′ x 3′ mosaic installation is comprised of ceramic tile, vitreous glass, glass gems, millefiori and glazed earthenware. I don’t know how much a commission on this scale would cost, but how awesome would it be to have something like this your kitchen?
For his senior thesis in the Illustration department at the University of the Arts, Philadelphia, Jim Tierney re-designed the dust jackets of four classic Jules Verne novels, including a particularly squid-tastic cover for 20,000 Leagues Under the Sea. If these books were for sale I would totally buy them. With money!
Ben Templesmith has one of the most distinct and evocative artistic styles in comics. His most notable works include 30 Days of Night and Fell, and he is both the artist and writer on Wormwood: Gentleman Corpse (my personal favorite), Welcome to Hoxford, and Singularity 7.
This intriguing declaration appeared on his blog yesterday, and about it Mr. Templesmith says,
Future tax doge and excuse for mass murder here we come!
Alright then.
IN SQUID WE TRUST is available as an 11″ x 17″ print (for $14.99) on his CafePress store.
The ceramic octopus was a gift from my friend Mur, and as soon as I know who made it (or where she got it) I will post an update here.
Lastly, we have one of this year’s Hallmark Keepsake ornaments. “Learning with Mr. Ray” depicts one of my favorite scenes from Disney/Pixar’s Finding Nemo. One of Nemo’s classmates is a young Flapjack Octopus (Opisthoteuthis californiana) named Pearl. Flapjacks, like all Cirrate octopuses, are deep-sea cephalopods, so, if she could have even survived living in a coral reef at all, Pearl must have been a transfer student or something. All the same, it’s nice to see obscure cephalopod species depicted in popular culture!